The following is my collection of posts and stories specifically targeting historical fiction art and illustration. I tend to feature hand‑inked engravings, woodcuts, and oil‑on‑canvas works.

Some are my own experiments, and some are modifications of older paintings, tied to ongoing series like Sic Parvis Magna or created as standalone vignettes to support other stories. These works aim to support storytelling with historical authenticity and create an immersive experience for historical fiction readers.